Mike G. on 12 31, 2009 | No Comments
Rousseau carried the fundamental principle of the school farther than the others--with him interest, delight in, enthusiasm for nature became absorption in her. Whereas other men have loved nature,
Read MoreMike G. on 12 31, 2009 | No Comments
Dupré and Diaz are the decorative painters of the Fontainebleau group. They are, of modern painters, perhaps the nearest in spirit to the old masters, pictorially speaking. They are rarely in the g
Read MoreMike G. on 12 30, 2009 | No Comments
Delacroix's color deepens into an almost musical intensity occasionally in Decamps, whose oriental landscapes and figures, far less important intellectually, far less _magistrales_ in conception, ha
Read MoreMike G. on 12 30, 2009 | No Comments
Géricault and Delacroix are the great names inscribed at the head of the romantic roll. They will remain there. And the distinction is theirs not as awarded by the historical estimate; it is person
Read MoreMike G. on 12 30, 2009 | No Comments
The romantic painters were, however, by no means merely emotional. They were mainly imaginative. And in painting, as in literature, the great change wrought by romanticism consisted in stimulating t
Read MoreMike G. on 12 30, 2009 | No Comments
When we come to Scott after Fielding, says Mr. Stevenson, "we become suddenly conscious of the background." The remark contains an admirable characterization of romanticism; as distinguished from cl
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