Archive for the Art History Category
Mike G. on 01 4, 2010 | No Comments
Puvis de Chavannes is, perhaps, one of the most interesting figure in French
painting to-day. Couture is little more than a name. It is curious to
consider why. Years ago he was still an important f
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Mike G. on 12 31, 2009 | No Comments
Rousseau carried the fundamental principle of the school farther than
the others--with him interest, delight in, enthusiasm for nature became
absorption in her. Whereas other men have loved nature,
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Mike G. on 12 31, 2009 | No Comments
Dupré and Diaz are the decorative painters of the Fontainebleau group.
They are, of modern painters, perhaps the nearest in spirit to the old
masters, pictorially speaking. They are rarely in the g
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Mike G. on 12 30, 2009 | No Comments
Delacroix's color deepens into an almost musical intensity occasionally
in Decamps, whose oriental landscapes and figures, far less important
intellectually, far less _magistrales_ in conception, ha
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Mike G. on 12 30, 2009 | No Comments
Géricault and Delacroix are the great names inscribed at the head of the romantic roll. They will remain there. And the distinction is theirs not as awarded by the historical estimate; it is person
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Mike G. on 12 30, 2009 | No Comments
The romantic painters were, however, by no means merely emotional. They
were mainly imaginative. And in painting, as in literature, the great
change wrought by romanticism consisted in stimulating t
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Mike G. on 12 30, 2009 | No Comments
When we come to Scott after Fielding, says Mr. Stevenson, "we become
suddenly conscious of the background." The remark contains an admirable
characterization of romanticism; as distinguished from cl
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Mike G. on 12 30, 2009 | No Comments
The colossal statues of Egypt are very wonderful on account of their
vast weight and size. The most famous are two which stand on the west
bank of the Nile at Thebes. Each of these colossi is made f
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Mike G. on 12 30, 2009 | No Comments
There were very few groups in Egyptian sculpture, and these seldom had more than two figures. It was customary to represent a husband and wife sitting on the same chair holding each other's hands, o
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Mike G. on 12 28, 2009 | No Comments
Optical Art is a mathematically-themed form of Abstract art, which uses repetition of simple forms and colors to create vibrating effects, moiré patterns, foreground-background confusion, an exaggera
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